摘 要
19世紀中後期俄國的父權制社會，在男性的觀念、思想、行爲、倫理價值的霸權話語中，婚姻是父權制安排給喪失了自我身份的女性的唯1出路，也是無法更改的'選擇。安娜爲了擺脫這1身份不惜以死相爭，是托爾斯泰筆下尋求個體自我真實身份的女性象徵。安娜對婚姻愛情的重新選擇，顯示了她獨立的女性意識，她從最初對愛的幻想到最後決然以死相抗，安娜“死而再生”了，是安娜對父權制社會的殊死抗爭，表達出1種全新的女性意識與女性反抗。
關鍵詞：女性意識；父權制；身份；自我
ABSTRACT
In the mid-late nineteenth century of the Russia patriarchal society, the male’s idea, thought, behavior, and ethical values in hegemony words, the marriage was the only outlet that the patriarchy arrangement for the feminine who lost their self-identities and it is also the unalterable choice. In order to break it away, Anan sacrificed her life without hesitation, who was the feminine symbol that seek the individual self- real status in Torstein’s novel. Anan’s new choice of her love, has demonstrated her independent female consciousness, from fantasy of love to finally decidedly dead, Anna "died regenerates", which was Anna’s life-and-death resistance to the patriarchal society, expressing a kind of brand-new feminine consciousness and resistance.
Key words: Feminism consciousness; Patriarchy; Identity; Self