摘 要
近年來，在探求中國民樂的發展道路的新民樂的浪潮中，受“女子102樂坊”、“紅櫻束”等成功的啓示，國內其他1些新民樂組合也紛紛出現，本文針對新民樂這1現象，結合大衆審美觀、文化價值觀的轉變，與中國傳統民族器樂的比較。從新民樂的本體形態、產生背景以及價值與意義等方面進行了分析，指出新民樂對中國傳統器樂的重要影響並提出新民樂不是中國傳統民族器樂發展的唯1道路。任何事物與生俱來的價值多元化，也使其免不了兼具正面和負面的價值。新民樂作爲1種新的民樂演奏形式，在它誕生、發展的初期遇到各種各樣的非議、批評甚至不理智的'聲音可以說是必然的。作爲走向國際化的新民樂惟有堅持不斷創新、不斷交流、不斷融合的路子，才能經得起市場的考驗和時間的檢驗。新民樂勢必將拉開我國各族人民音樂進步的序幕，將爲中國音樂走向世界奠定基礎，將爲世界音樂文化的交流展開新的篇章。
關鍵詞：新民樂；形態描述；視覺化傳播；傳統民樂
ABSTRACT
In recent years of the research of China’s folk music and encouraged by “Twelue ladies Music Show” and “Red Cherry Bundel”, other new music group have shown up under the impact. Baced on this, the thesis makes a comparison between the publice eathetic tastes, wariations of cultural values and China’s traditional instruments. It also analyzes the existing condition of new folk music, backgrouns, values and significance and puts forward that new falk music has a great effect on China’s instraditional music. Anything is born with value variations and may have their negtives and positires. So it is inevitable that new folk music is gegraded and even critigized at defferent stages of its development. The only way for further development is constant creations, exchanges and incorporations thus stand up to the test of market and time. New folk music is sure to start the progress for China’s various music, lay a foundation for China’s music leading to the world, turn a new page in the exchangesof the world musical cultrues.
Key words: the new folk music; status description; visional transmission; traditional folk music
