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淺談中國搖滾樂的現狀與發展誤區

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畢業論文

摘   要

淺談中國搖滾樂的現狀與發展誤區

自從1986年5月9日崔健北京工人體育館扯着嘶啞的嗓子吼出了《—無所有》,搖滾樂在中國呱呱墜地。到今天,中國搖滾已走過了風風雨雨的210餘年,那麼,搖滾在中國究竟是什麼? 本文以搖滾樂進入中國的`伊始爲切入點,談及了搖滾樂在中國的現狀,搖滾音樂節以及搖滾樂與本土文化的交融,並指出了中國搖滾樂存在的誤區:年齡趨小;急功近利,盲目推出;只求形式,不求思想內容;搖滾樂從“神聖化”走向“虛僞。
    關鍵詞:搖滾樂;文化現象;發展;誤區

 

ABSTRACT

Since the famous singer Cui Jian shouted“I have nothing”with his hoarse voice in Beijing worhers stadium on May 9th 1986,the rock&roll was born in y,Chinese rock&roll has experienced an eventful history more than twenty years;Therefore,whats rock&roll on earth in China?Basing on its first arrival in thesis discusses about the current situation of rock&roll,the rock&roll musical festival as well as the blend of rock&roll and native culture;it reveals the existing wrong regions of Chinese rock&roll;inclination towards young age;eagerness for instant success and quick profits,blind worship;emphasis on the form rather than the indeological content;the rock&roll walks from “Holy” to “Hypocrisy”
Key words: rock&roll; cultural phenomenon; development; wrong region