Abstract
Sons and lovers, which is the landmark of Lawrence’s creations, is an autobiographical psychoanalytic novel. Applying the realistic skill, Lawrence describes the growth of a boy born in middle England, and reveals the love tragedy of the miner’s son. The rich and profound connotation of the love tragedy between Paul and Miriam is the most moving part and occupies an important position in the novel. The general perspective toward the main cause of the tragedy contains two parts: first is the disturbance of the Oedipus complex; then, the nature defects of the two, the disparity between their values of love and religion are also the killer of their love. Paul peruses the unity of body and soul; Miriam’s love is only spiritual but not physical. And all of these are the products of the malformed society and family.
Key words: Paul; Miriam; Oedipus complex; love tragedy;
Spiritual; religion; industrialism
摘要
《兒子與情人》是勞倫斯創作中1座里程碑式的作品，是1部自傳式精神分析小說。勞倫斯運用寫實手法，描寫了出生在英格蘭中部的1個男孩的成長過程，揭示了這個礦工兒子愛情的悲劇，有着豐富而深刻的內涵。其中保羅與米麗安的愛情悲劇最能打動人心，在小說中的'地位舉足輕重。對該小說的評論普遍認爲造成保羅愛情悲劇的最主要原因是由於保羅的戀母情結的干擾。其實不然，筆者認爲保羅的戀母情結固然是造成這1愛情悲劇的重要原因,但是保羅與米麗安的性格缺陷以及愛情觀，宗教觀的差異也不容忽視。保羅追求的是靈與肉的統1，然而米麗安過分專注於精神生活。保羅和米麗安的人格都是分裂的，是畸形社會、畸形家庭的必然產物。社會的工業化帶來了經濟的騰飛,卻給人類文明及人的精神世界帶來了災難性的影響。小說男女主人公的愛情悲劇有着深刻的社會根源。
關鍵詞：保羅；米麗安；愛情悲劇；戀母情結；宗教；工業化
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