摘 要
本文着重對維尼亞夫斯基《D大調波羅奈茲舞曲》的曲式結構進行全面的分析，以簡要的介紹作者的'生平、相關代表作品及創作風格爲切入點，側重研究這個作品的曲式結構方面所具有的特殊性，以及迴旋曲式與復3部曲式在這個作品中結合所體現的邊緣性。更重要的是從這個非規範化的結構作品中找到該曲式各部分可能產生的新的關係及形成的新的結構原則。
關鍵詞：維尼亞夫斯基；波羅奈茲舞曲；復3部曲式；迴旋曲式
ABSTRACT
The founders went on to the "D-flat Boluonaici Dance" conduct a comprehensive analysis of the structure of the musical form, a brief introduction to the authors biographical, representative works related to the entry and creative style, focusing on the works of the musical form structural specificity, and Rondo with the trilogy style works in the context of the entire periphery. More importantly from the non-standardized structure of the musical form part of the works may have found a new relationship and a new structuAre principles.
Key words: Henryk Wieniawski；Boluonaici Dance; the trilogy style; Rondo Type